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Panel type:TN
Max. refresh rate:144 Hz
Panel:AUO M240HW01 V8
Backlight type:LED (white, edge)
Price (approx.):USD 300
Available since:01/2013


ASUS VG248QE review on PC monitors.

ASUS VG248QE review on

Comparison with other LCDs

The ASUS VG248QE monitor is very similar to the BenQ XL2411T in that it uses the same LC panel, supports NVIDIA's 3D LightBoost, and allows for refresh rates up to 144Hz. It differs from the BenQ XL2411T in that it has a somewhat less stable casing (-), a shiny bezel (-), internal speakers (+), pulse-width-modulated backlight (at a high PWM frequency though) (-), and a much better overdrive control (++). Moreover, the ASUS VG248QE is upgradable with NVIDIA's GSYNC DIY upgrade kit. This feature is of little use though, as the upgrade kit is not easy to come by – not in Europe anyway. Note that earlier releases of the XL2411T also used PWM backlight (at a low PWM frequency of 180Hz).
When compared to the BenQ XL2411Z, the successor of the XL2411T, the ASUS lacks the flicker-free backlight and, obviously, BenQ's motion blur reduction feature. However, the ASUS has the advantage of 2D LightBoost being unlockable with ToastyX's Strobelight tool, which does not work anymore for the Z-versions of BenQ's XL monitors.

Service menu ASUS VG248QE

How to call up the service menu

Have the monitor connected to a valid signal source. The service menu can be entered by keeping the menu button pressed while powering on the monitor. As soon as the monitor shows an image the menu button can be released and pressed again in order to make the service menu appear.


The ASUS VG248QE has a pulse-width-modulated LED backlight, which is usually not seen as a plus, as it can interfere with the monitor's refresh rate and also causes strobe effects in the presence of eye movements or when motion is being presented. Rather often, manufacturers choose a PWM frequency as low as 180Hz, but ASUS does not only apply a much higher PWM frequency of up to 864Hz (at a 144Hz refresh rate) but also synchronizes the PWM signal to the refresh cycle. The PWM frequency scales with the refresh rate (fPWM=6·frefresh). It should be mentioned that this has been measured with a monitor manufactured in June 2013. Older monitors apparently used a lower PWM frequency of just 360Hz (review on which might or might not have been scaled with the refresh rate and synchronized to the refresh cycle. CORRECTION: Ahem, 360Hz=6·60Hz, so probably just measured the PWM frequency for a refresh rate of 60Hz, at which it is 360Hz also for monitors manufactured as late as August 2016 (at least).

Overdrive (trace free)

The ASUS VG248QE allows controlling overdrive through the Trace free parameter which can be set to one of 6 different values (0,20,40,60,80,100). This is obviously better than having only two or three overdrive levels available with BenQ's XL monitors. Unfortunately, the Trace free parameter is not accessible via DDC/CI (Display Data Channel/Command Interface).

Side note: One might come up with the idea of combining the better overdrive with a hardware-tweaked strobed backlight in order to create something similar to BenQ's motion blur reduction feature. Such a mode would benefit from an accelerated LC panel update speed which could be achieved to some extent by tweaking the video signal timing (see Monitor timing (tweaking it) in the BenQ XL2411Z review). Unfortunately, the ASUS VG248QE is much more picky when it comes to signal timing and does not allow for stretching the VSync phase much further than normal.

Settling behavior

Detailed documentation of the measurement method used here can be found in Flicker-free settling and LightBoost settling.

Flicker-free backlight

For the non-LightBoost measurements, the Brightness was set to 100% in order to make the backlight flicker-free. For the Contrast setting a value of 50% was used as this value turned out to result in better settling performance than the higher value of the factory preset (see Figure 3). The default Contrast value is 80% and reducing it to 50% comes with a somewhat reduced color accuracy due to higher digital round-off noise. Even though decreasing the Contrast setting below 50% might improve the settling performance even further, the according loss in color accuracy would probably not be worth it.

The level of overdrive is controlled by the TraceFree setting, and following the comparison chart (Figure 3) a value of 40% seems optimal. With TraceFree=60% the 10% settling time is actually shorter, but in the long run, meaning for the time following the first refresh cycle after a luminance switch, the residual errors with TraceFree=40% are somewhat smaller.
Interestingly, the 2% settling time could not even be measured for most of the FROM/TO steps. Note that 83ms was the limit imposed by the measurement taking only the first ten refresh cycles into account. For some step sizes (around or even more than 10%) the signal basically never settled to a 2% error band, which just means that the cyclic modulation of the luminance signal was bigger than the 2%. This can be well seen in Figure 1. Instead of using the 2% settling time, one can infer the medium term settling error from the mean luminance errors of refresh cycles #2 and #3.

Figure 1: Luminance settling curves for three different step sizes at Brightness=100% (flicker-free backlight) without overdrive (TraceFree=0%, left) and with optimal overdrive (TraceFree=40%, right). The curves are shifted and scaled individually according to the respective step size.
The vertical gray lines mark the time when the OpenGL SwapBuffers();glFinish() function sequence returns control to the program, which is about when the 1st line of a frame is sent out to the monitor. Measurements have been taken at the vertical center of the screen.

Figure 2: [2nd view]. Luminance settling measurements for several pixel value changes (FROM→TO) with optimal overdrive settings for a maximal white luminance of about 100 cd/m2 at 120Hz (TraceFree=40%, Contrast=50%).
For further details on the graphs and the measurement method see Flicker-free settling.

Figure 3: Comparison chart for the some combinations of overdrive (TraceFree) and Contrast settings at 120Hz. Note that smaller bars/values are better. The colored bars refer to the maximum of 90% of all step sizes (max90) and the gray bars refer to the maximum of 100% of all step sizes (max100).
For further details on the measurement method see Flicker-free settling.

Strobed backlight

In LightBoost mode at 120Hz the backlight strobe pulse width ranges from 1.4ms to 2.25ms, which is the same as for the BenQ XL2411Z. In order to avoid white saturation, a Contrast value of 75% was used, which is a bit below the factory preset (80%). At a Contrast setting of 75% a LightBoost level of 30% is needed in order to push the maximal luminance above 100 cd/m2. As the comparison shows (Figure 6), the performance for an even lower Contrast setting of 60%, which provides potentially more overdrive margin, was actually not significantly better.

Figure 4: Luminance settling curves for three different luminance step sizes in LightBoost mode, as measured at the top of the screen (left) and the bottom of the screen (right) (LightBoost=30%, Contrast=75%, 120Hz).
Note that the %-values refer to the programmed pixel values. Obviously, there is quite some gamma shift across screen locations, because if there wasn't the settled levels should be equal (e.g., green left = green right).
Notice how the integrals (i.e., the pulse energies) of the first high pulse (right panel) and the last high pulse (left panel) are somewhat cut off because the backlight strobe comes too early or too late with respect to the respective pixel settling curves.
Figure 5: [2nd view]. Luminance settling error measurements for several pixel value changes (FROM→TO) with LightBoost=30% and Contrast=75% at 120Hz. Note that the Z axes are scaled the same within columns (i.e., across screen locations) but not within rows (i.e. across refresh cycles).
For further details on the measurement method and presentation see LightBoost settling.

Figure 6: Comparison chart for the some 120Hz LightBoost test cases. Note that smaller bars/values are better. The colored bars refer to the maximum of 90% of all step sizes (max90) and the gray bars refer to the maximum of 100% of all step sizes (max100). The scaling of the bar lengths is the same within columns (i.e., for a particular refresh cycle but across different screen locations), but different within the rows (i.e., for different refresh cycles).
Where the 100% values (gray bars) are excessively larger than the 80% values (colored bars), this is often just because of some dark-to-dark switches which are particularly prone to measurement noise and are possibly of minor practical relevance anyway.
For further details on the measurement method see LightBoost settling.

Color spectra

Figure 7: Spectra of the primary colors and white (D65), recorded with the spectrophotometer X-rite i1Pro2 (10nm optical resolution, 3.3nm sample readout).

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